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GEAR

Outboard
Microphones
Monitors
Software
Plugins
Instruments
Soft Synths
Amps/PA Systems
On Loan
WWE's Crown Jewel

Recording: 

  • 1982 Allen & Heath System 8 164 Analog Console (16-channels, recapped and refurbished -  VINTAGE

  • Aria AMX80B Analog Console (8 ch. w/ Spring Reverb -  VINTAGE)

  • Behringer X32 (40-Input, 25-Bus Digital Mixing Console with 32 Programmable MIDAS Preamps, 25 Motorized Faders, Channel LCD’s, 32-Channel Audio Interface and iPad/iPhone Remote Control)

  • Behringer Europower PMP3000 (16 ch mixer w/ Effects - more details in the PA/MIXERS/SPEAKERS section)

  • Behringer Xenyx 1202 FX (12 ch. w/ Effects - - more details in the PA/MIXERS/SPEAKERS section)

  • BCF2000 digital mixer

  • Mac Pro G5 (2.8 Ghz, 8 core, 2GB Ram)

  • 16" Macbook Pro (2.4GHz 8-Core Intel Core i9 w/32GB Ram)

  • 13” MacBook Pro 3GHZ Intel Core i7

  • 17" MacBook Pro G5 Laptop (2.4 Ghz, dual core, 5GB Ram)

  • 64GB Apple iPad – 1st Gen (w/ tons of synths, beat pads, and other music apps)

  • Apple iPad – 3rd Gen (w/ tons of synths, beat pads, and other music apps)

  • Apple iPhone X 250GB (w/ tons of synths, beat pads, and other music apps)

  • Apple iPhone 5S 16GB (w/ tons of synths, beat pads, and other music apps)

  • Apple iPhone 4 16GB (w/ tons of synths, beat pads, and other music apps)

  • 28" LCD Theatre Display

  • 16" LCD Display

  • 87" LED Theatre Display

  • Digi 002 (8ch)

  • Presonus Digimax (8ch)

  • Presonus Firestation (8ch w/ tube pres)

  • Focusrite Scarlett 18i18  Gen3 (18x8 USB interface)

  • Mbox Pro 2 (2 channels)

  • Scully 280 8-track (1") (the deck is currently being serviced, but the tube preamps are available for use and sound killer! Jimi Hendrix was a fan of the Scully 280 and used several at his Electric Lady Land Studios - This unit was pulled from STAX in Memphis - VINTAGE!)

  • Ampex 350 2-track (1/4") (The Ampex Model 350 magnetic tape recorder is a two-speed audio recorder designed for use with standard ¼ inch tape. This machine is great for bouncing your final project to tape for that nice warm vintage sound!)

  • Gral v-800 Analog Tape Recorder (for effects - VINTAGE)

  • Marantz PMD740 (6 channel/4-track recorder - VINTAGE)

  • Rode Vlogger Kit (The RØDE Vlogger Kit contains everything you need to get professional results when filming using your mobile phone with a 3.5mm input. The VideoMicro will vastly improve your audio, delivering crystal-clear, directional sounds for any application. The SmartGrip secures your device firmly in place for stable recording and connects seamlessly to the Tripod 2 for either handheld or tabletop use, while the MicroLED ensures all your shots are perfectly lit.)

  • and lots of other nifty little things...

 

Outboard/Rack: 

  • API Lunchbox with:

    • Great River mp500 mic pre (Classic 70s Vintage British Circuit Styling - The MP-500NV is a professional quality microphone preamplifier designed to re-create the vintage sound characteristics of the early 1970s large consoles. Modern components give the MP-500NV more clarity, punch and performance under normal use. In addition, features like metering before and after the major gain stages let the user drive it 'creatively' to greatly expand the range of sonic options.)

    • Purple Audio Biz mic pres (x2) (A unique sounding, three amplifier, discrete microphone preamp module. The smooth Gain control helps you dial in the sound you want. If the output level is too high (the Class A/B output opamp can pump out up to +27 dBu), you can ride the level down with the separate Level control. Pressing the “Dual” switch splits the gain between two of our Class A opamps, enabling up to 75 dBu of clean gain, making the Biz a perfect match for ribbon microphones. With different Gain, Level, and Dual settings the Biz can produce an infinite variety of tonal variations with the same amount of output level. The front panel DI helps you record instruments and line level sources with unrivaled clarity and punch. Two LEDs clearly indicate signal level for the gain and output stages at a glance, turning green to indicate signal present, yellow for 10dB below clipping, and red for clipping. The Biz uses two KDJ3 opamps and one KDJ4 opamp.)

    • Solid State Logic Six Mini Channel Strip (The SSL SiX Channel is a single-width 500 Series mini channel strip using the SuperAnalogue channel processing features from SSL s SiX console including the Mic-pre, low and high frequency EQ, as well as the single knob compressor. The SiX Channel is a simple way to add additional Mic/Line inputs to the line level inputs of any professional audio device, including the Stereo channels of the SiX console.)

    • Shadow Hills Gamma mic pre (The Mono GAMA is the single-channel API 500 Series version of the Golden Age Microphone Amp, with all the capabilities, features, and quality of the original. The Shadow Hills Mono Gama is centered around our custom discrete op-amp. This no-compromise design exudes hugeness, fidelity, punchiness and depth, across the full frequency range, without becoming veiled or choked. The preamplifier input is transformer balanced and utilizes an original Jensen input transformer.)

  • Mindprint DTC Stereo (2 channels, Mic Pre/Comp/Limiter - A well-designed dual-channel preamp with high-quality mic, line, and instrument inputs, thoroughly comprehensive EQ, and a competent compressor/limiter. An optional digital interface allows direct interfacing with digital workstations for recording or mastering.)

  • Urei 7510a (w/16 vintage Urei mic pres - The Urei/JBL Model 7510A is a compact microphone mixer with a built-in "brain." The mixer is a modular, rack-mountable package with space for 6 plug-in cards, each card containing full electronics, controls and connections for 4 balanced microphone Inputs. The monophonic output section includes, among other items, a large VU meter, a Master Gain control, and a balanced -f 4 dBm at 0 VU output (Ref. 600 ohm) with an XL-type connector. The 7510A "brain" Is actually a combination of special digital and analog circuitry. A level sensor instantaneously switches On a channel when its microphone is in active use. The same circuits turn Off the channel when its mic is not In use. Individual channel mix levels are set manually. The mixer's "brain" tells the output how many mics are "live" (active), and the output then automatically adjusts itself to maintain essentially constant system level regardless of the number of live mics. - VINTAGE)

  • Scully 280 mic pres (x8)  (vintage tube mic pres)

  • Presonus tube pres (x2)

  • Bogen Challenger mic pres (VINTAGE)

  • 1979 Guyatone MK-80ST (w/ Analog Delay, 8-track & Cassette Player, and Pitch Control, made in Japan! - VINTAGE)

  • T. Rex Replicator D'luxe (for analog tape delay, slap back, etc)

  • 1988 Alesis Microverb II (16 bit stereo digital reverb unit - In 1988, the Alesis Microverb represented a clear breakthrough in signal processing technology. The Alesis R.I.S.C. (reduced instruction set computer) architecture of the Microverb II provides clean, quiet, professional reverberation with the cost and simplicity of spring units in a highly compact enclosure. - VINTAGE)

  • Rolls Rotohorn RP147 Leslie Simulator (The RP147 is a line level signal processor for duplicating the sound of a rotating horn speaker cabinet electronically. It has a 2 way crossover network as well as a simulated bass and treble "rotors." - VINTAGE)

  • Tascam RS-20B Stereo Spring Reverb (2 channels - The RS-20B is a neat spring reverb unit. There are actually two springs for each of the two channels, so 4 springs in all. There are control surface switches to route and mix the input signal as either stereo or dual mono as well as cross-mix it (R to L and L to R...different sound). Each channel has a 200Hz HPF, input and output level trims and a built in peak limiter. It also sports I/O jacks on 1/4" and RCA connectors and the output is switcheable between -10dBV or +4dBu. - VINTAGE)

  • 1976 Furman Sound Param EQ PQ-3 (The FURMAN PQ-3 Parametric Equalizer/Instrument Preamp was Furman’s first product in 1976. Jerry Garcia bought the first one. Now it’s a collectors item used by top guitarists including the late Dimebag Darrell - VINTAGE)

  • 1980s Electra EP 250 Analog Delay (one of the best, warmest sounding vintage analog delay units you will hear. It is also a Spring Reverb Effect unit. It actually has the springs in the bottom of the unit like an old vintage reverb unit. On board bass and treble controls to manipulate how dark or bright you want your echo as well as separate mix knobs for delay and reverb to blend in how much you want each effect in the mix. - VINTAGE!)

  • ADA S1000 Delay (selectable delay times with a max of up to 1 second with output and regeneration controls, plus depth and rate modulation controls for chorus and flanging, repeat/hold switch - these were heavily used in 1980s guitar rigs and offer a warm vintage sound - VINTAGE)

  • Orban Stereo Synthesiser 245F (Designed to turn a mono-signal into a pseudo stereo signal - VINTAGE)

  • dBx 166 (2- channel compressor/dynamics processor featuring separate gate, compressor, and limiter sections. The sections can be linked for stereo operation off of one channel's controls. Each channel feature a Gate Threshold, Compressor Threshold and ratio, and limiter threshold. - VINTAGE)

  • Monarch Stereo Mic Pre - (VINTAGE)

  • Furman power conditioners

  • Neutriks patchbays

  • and even more nifty stuff...

Monitoring: 

  • KRK Rockit 7 G4 (w/KRK room correction and onboard visual EQ - stereo pair)

  • Yamaha HS5 (stereo pair)

  • Tannoy Reveal (stereo pair - VINTAGE)

  • KRK Classic 5 G3 Silver and Black Limited Edition (stereo pair)

  • Roland M-8 (stereo pair - VINTAGE)

  • Peavey PV115 (x2) (PA speakers)

  • Slate Digital VSX PLATINUM Headphone Mixing System (Steven Slate Audio's VSX Platinum Edition builds upon the VSX Essentials Edition to include even more top-notch monitoring spaces — widening mastering possibilities tenfold. From Howie Weinberg Studios to the interior of a luxury SUV, you’ll easily be able to fine-tune your mix to fit any playing environment without having to leave the studio desk. Similarly, emulations of the most popular studio monitoring headphones are available so you can find an audial balance that best fits the direction of your track. No matter where you’re working, Steven Slate Audio’s VSX Platinum Edition will provide tried-and-true acoustics to help guide your next musical project to professional levels.)

  • Apple Airpods Max (a perfect balance of exhilarating high-fidelity audio and the effortless magic of AirPods. The ultimate personal listening experience is here. AirPods Max combine high-fidelity audio with industry-leading Active Noise Cancellation to deliver an unparalleled listening experience. Each part of their custom-built driver works to produce sound with ultra-low distortion across the audible range. From deep, rich bass to accurate mids and crisp, clean highs, you’ll hear every note with a new sense of clarity.)

  • Waves Headtracker (w/ several Nx room emulators, including Nashville's own OceanWay, Abbye Road, and others)

  • FOCUSRITE VRM - w/ Pro Studio, Bedroom, and Living Room Environments, w/ 16 virtual monitors, including:

    • Genelec 1031A

    • KRK VXT8

    • KRK RP6 G2

    • Yamaha NS-10M Pro

    • BBC designed LS3/5a

    • ADAM S2.5A

    • Alesis Monitor One

    • Auratone 5C

    • B&W DM12

    • Creative S8S35

    • Goodmans MS188

    • Phocus LCD 26 TV

    • Quested S8s

    • Rogers LS3/5a

    • Sterling L53/5a

    • KEF Q55.2

  • Behringer Powerplay P16-M (x4) The POWERPLAY P16 system is the easy way to give live or recording musicians/vocalists what they really want, more me! The P16-M Personal Mixer lets each performer take control of his/her own monitor mix, whether on the stage or in the studio and allows the engineer to concentrate on creating the best mix possible. 

  • various headphone sets (including Sennheiser HD 280 Pros, Apple Airpods Max, Apple Airpods 3rd Gen., Beats by Dre, and various sets by Sony, Tascam, and more. Feel free to bring your own headphones if you would prefer to use your own).

  • Lekato Wireless Guitar System {WS-100) (2.4GHz Wireless Guitar System Wireless Guitar Transmitter Receiver Rechargeable Audio Wireless Transmitter Receiver,Portable Charging Case Box,Mono 1/4” & 1/8” 2 in 1 Plugs.)

 

Microphones:  

 

VINTAGE MICS:

  • Oktava MK-319 (unidirectional, large diaphragm - modified to emulate the Neumann U47)

  • 1960s Grundig/Sennheiser GDSM 202 Dynamic Stereo Mic (made by Sennheiser and contains the same capsules as the MD405, MD408, etc., snap apart and can be used individually or as a stereo mic)

  • 1960s Bang and Olufsen (B&O) MD8 Dynamic Pressure Microphone (spherical directional characteristics, cardioid – designed by Jacob Jensen, won the iF Award in 1967)

  • 1960s Telefunken TD4 (small, dynamic microphone - attached to the reporter’s tape recorder Magnetophone 4001 G, manufactured by Telefunken Deutschland in the 1960s)

  • 1960s Electro-Voice 636 (omnidirectional, Electro-Voice Acoustalloy diaphragm - designed w/ only one moving element, used by the legendary Chuck Berry)

  • 1960s Shure 55SW “the Elvis Mic” (unidirectional, cardioid, with high, medium, and low impedance switch)

  • 1980s Electro-Voice 671BL (x2) (unidirectional, cardioid - based on the similar 671 (with chrome finish) and the 672A that had a lower pistol grip. Otherwise both microphones were basically identical

  • 1959 Lafayette PA-42 Crystal Bullet “Harp” (Japanese, with volume control)

  • 1989 Realistic 33-984C Highball Dynamic Microphone (unidirectional, Japanese)

  • 1970s Wollensak 3M (sold with reel to reel recorders in the 1970s)

  • Venturer B3619CH (unidirectional, dynamic corded microphone)

  • Craig Tabletop Square Microphone (Japanese, w/ a “kickstand,” sold with reel to reel recorders in the late 1960s/1970s)

  •  Air Comm 902/600 (Air Comm Electronics Dynamic Microphone, Japanese, sold with reel to reel recorders in the late 1960s/1970s – with modified XLR output)

  • 1960s Voice of Music Crystal Desk or “Harp” Microphone (we have two of these, one is black with a silver grill and the other is brown with a gold grill – ROSEMARY used the black with silver grill mic on most of her vocals for “the Fabulous Life Of…" EP, which you can sample at rosemaryrocks.com, and Steve Poulton (of the Altered Statesman) used in on his vocals for his phenomenal EP, Past is Prologue. Check that awesome album out HERE.)

 

RIBBON MICS:

  • Sterling Audio ST170 Active Ribbon Microphone (bidirectional, unidirectional)

  • Nady RSM1 Ribbon Microphone (bidirectional - modified)

  • MXL 860 Ribbon Microphone (x2) (bidirectional, unidirectional) 

  • Cascade Fathead Ribbon Microphone (bidirectional)

 

CRYSTAL MICS:

  • 1959 Lafayette PA-42 Crystal Bullet “Harp” Microphone (Japanese, with volume control - VINTAGE)

  • 1960s Voice of Music Crystal Desk or “Harp” Microphone (we have two of these, one is black with a silver grill and the other is brown with a gold grill – ROSEMARY used the black with silver grill mic on most of her vocals for “the Fabulous Life Of…" EP, which you can sample at rosemaryrocks.com, and Steve Poulton (of the Altered Statesman) used in on his vocals for his phenomenal EP, Past is Prologue. Check that awesome album out HERE.)

 

TUBE MICS:

  • ·Rode NTK Class-A Premium Valve Condenser Mic (omnidirectional, unidirectional, large diaphragm – The heart of the NTK is the Australian designed and manufactured HF-2 capsule. The electronic circuitry complementing this veery sensitive transducer includes a hand-selected twin-triode 6922 valve and audiophile grade components and lay-out)

 

CONDENSER MICS:

  • AKG c414 (bidirectional, unidirectional, omnidirectional, large diaphragm - stereo matched pair)

  • Blue Bottle Rocket Stage 1 w/ Mic Locker (w/ 4 capsules including: B0 cardioid, large diaphragm - silky with extended presence; B6 cardioid, large diaphragm, dual backplate - classic warmth with a large sound; B7 cardioid, large diaphragm, single backplate - vintage mids with airy presence; B8 cardioid, large diaphragm - incredible detail and clear sound)

  • Blue Spark SL (unidirectional, large diaphragm, cardioid, JFET electronics, w/ custom “pop” filter)

  • Oktava MK-319 (unidirectional, large diaphragm - modified to emulate the Neumann U47 - VINTAGE)

  • Neat Microphones King Bee I (the OG) (unidirectional, cardioid, large diaphragm - Just like a beehive, the King Bee is all about reproduction. Its large-diaphragm condenser design is ideal for applications requiring low noise and high sensitivity — the King Bee excels for vocals, drums, electric guitar, piano, and most acoustic instruments, including complex sources like saxophones, flutes, and strings. Thanks to custom Class A discrete electronics, careful mechanical design, and a precision, gold-sputtered microphone capsule, what you hear at the output is what the King Bee hears at its input.)

  • Neat Microphones Worker Bee II  (x4) (unidirectional, cardioid, medium diaphragm - Neat King Bee II offers incredible sound quality. It's ideal for applications requiring low noise and high sensitivity. It's custom Class A discrete electronics, and precision, large diaphragm 34mm gold-sputtered centre-terminated true condenser microphone capsule, make it superb for recording and streaming voice, drums, electric guitar, piano, and acoustic instruments. Exceptional audio for recording, voiceovers, broadcast & streaming use.)

  • 2005 Electro-Voice/Blue – Cardinal Electret FET Condenser (x2) (cardioid, body made of cherry stained hardwood, capsule is “visually identical” to the Transound TSB140, yoke-mount)

  • Blue "Snowball" (omnidirectional, unidirectional, 2 capsule design with cardioid and omni pickup patterns)

  • AKG Perception P120 (unidirectional, large diaphragm)

  • MXL 840 (x2) (unidirectional, small diaphragm, cardioid, high SPL handling capabilities) 

  • MXL 870 (wide diaphragm, side-address, cardioid, FET preamp w/ balanced output, all-purpose “utility” mic)

  • MXL 880 (unidirectional, large diaphragm, cardioid polar pattern)

  • MXL 890 (unidirectional, large diaphragm, cardioid polar pattern, extended frequency response)

  • Thronmax MDrill Zone (cardioid, small diaphragm - With VERTIGAIN® technology that helps to increase quality and clarity by up to 10% compared to other digital XLR microphones. As sound waves move in a vertical direction, the wave reaches the single 25mm  condenser without being scattered by any microphone mesh. The MDrill Zone has a smooth, flat, wide-range frequency response and extra clarity at the top end. It also has a fun red LED when in use.)

  • Sony ECM-MS907 Stereo Electret Condenser (unidirectional, electret condenser, mid/side (MS) capsule creates natural stereo panorama)

DYNAMIC MICS:

  • Sennheiser MD 421 (unidirectional, large diaphragm, 5 position bass control - stereo matched pair)

  • 1960s Bang and Olufsen (B&O) MD8 Dynamic Pressure Microphone (spherical directional characteristics, cardioid – designed by Jacob Jensen, won the iF Award in 1967 - VINTAGE)

  • 1960s Telefunken TD4 (small, dynamic microphone attached to the reporter’s tape recorder Magnetophon 4001 G, manufactured by Telefunken Deutschland in the 1960s – VINTAGE)

  • 1960s Electro-Voice 636 (omnidirectional, Electro-Voice Acoustalloy diaphragm, designed w/ only one moving element, used by the legendary Chuck BerryVINTAGE)

  • 1960s Shure 55SW “the Elvis Mic” (unidirectional, cardioid, with high, medium, and low impedance switch – VINTAGE)

  • Electro-Voice RE20 (unidirectional, large diaphragm, Variable-D technology – “the Broadcast” microphone; In 2015, the RE20 was inducted into the TEC Awards Technology Hall of Fame - VINTAGE)

  • Heil "the Fin" (unidirectional, large diaphragm, special magnet structure with a large 1-1/18" aluminum low mass voice coil assembly similar to the Heil PR 20. The frequency response is 60 Hz - 18 kHz with that traditional Heil Sound mid range "bouquet" at 4 kHz, presenting incredible brilliance and presence)

  • 2004 Blue "Kickball" Active Dynamic Microphone (cardioid, high SPL, ideal for kick drum, toms, bass, and other low end frequencies)

  • 2005 Electro-Voice/Blue Raven (cardioid, yoke-mount)

  • Sennheiser e 609 (unidirectional, super-cardioid – based on the legendary MD 409 microphone - VINTAGE)

  • MXL DX2 (x2) (unidirectional, dual capsule, cardioid & super cardioid - A uniquely designed dynamic mic with an adjustable dual-capsule. Designed for electric guitar, bass amplifiers, and speaker cabinets. Adjustable knob lets you blend the sound between each capsule. One super cardioid capsule, and one regular cardioid capsule lets you “dial in” your sound. Flat front-face designs rests against speaker eliminating need of mic stand).

  • Shure Beta 52a “the kick drum mic” (unidirectional, features a modified super-cardioid pattern throughout its frequency range to insure high gain-before-feedback and excellent rejection of unwanted sound)

  • Shure sm57 (x6) (unidirectional, cardioid) 

  • Shure sm58 (x2) (unidirectional, cardioid, built-in spherical filter minimizes wind and breath "pop" noise)

  • Shure PG58 (unidirectional, cardioid, integral “pop” filter, on/off switch for onstage control)

  • 1980s Electro-Voice 671BL (x2) (unidirectional, cardioid, based on the similar 671 (with chrome finish) and the 672A that had a lower pistol grip. Otherwise both microphones were basically identical - VINTAGE) 

  • 1990s AKG Dynamic Microphone

  • 1989 Realistic 33-984C Highball Dynamic Microphone (unidirectional, Japanese - VINTAGE)

  • Venturer B3619CH (unidirectional, dynamic corded microphone – VINTAGE)

BINAURAL MICS:

  • 3Dios FS XLR Binaural Microphone (omnidirectional, unidirectional - The 3Dio Free Space XLR Binaural Microphone is a high-quality binaural microphone. The integrated microphone capsules are extremely sensitive and quiet. The capsules have a very natural presence, perfect for binaural recordings. The Free Space XLR delivers portable, professional quality binaural in the palm of your hand. The Free Space XLR has a very warm and solid response in the low to mid-range frequencies. This brings out the punch as well as provides low-end support for bass-heavy sounds.)

AMBISONIC MICS:

  • Core Sound TetraMic [1st Order] (tetrahedral, capable of mono, single-point stereo, and surround-sound recording - The Core Sound TetraMic is a highly advanced microphone and amplifier system designed for professional audio recording. It boasts a 1st-order single point Ambisonic soundfield, making it perfect for capturing and reproducing sound with remarkable accuracy and depth.This microphone and amplifier system is perfect for musicians, sound engineers, and audio enthusiasts looking for high-quality recordings. With its durable construction and advanced technology, the Core Sound TetraMic is a valuable addition to any recording setup.)

STEREO MICS:

  • Rode NT4 Stereo Condenser Mic (unidirectional, small diaphragm, featuring a matched pair of ½-inch condenser capsules in a perfect XY array)

  • 1960s Grundig/Sennheiser GDSM 202 Dynamic Stereo Mic (made by Sennheiser and contains the same capsules as the MD405, MD408, etc., snap apart and can be used individually or as a stereo mic – VINTAGE)

  • Sony ECM-MS907 Stereo Electret Condenser (unidirectional, electret condenser, mid/side (MS) capsule creates natural stereo panorama)

MODELLING MICS:

  • Slate Digital VMS ML-1 Modeling Microphone (unidirectional, large diaphragm, cardioid, condenser - with "The Virtual Microphone System." The VMS is a hybrid system that utilizes an extremely transparent condenser microphone and state-of-the-art digital processing suite that recreates the tone of classic microphones and preamps.)

  • Slate Digital ML-2 Modeling Microphone (unidirectional, small diaphragm, cardioid, condenser - The ML-2 microphone is the second model in Slate Digital's award-winning Virtual Microphone System. This small diaphragm microphone is capable of recreating the tone of an entire mic locker of your favorite legendary instrument mics. Like its big brother the ML-1, the ML-2 was designed to have an ultra linear response with no distortion, so that it can serve as a blank canvas for the VMS Virtual Instruments modeling software.)

USB/DIGITAL MICS:

  • AKG Lyra C44 (4K Compatible Ultra-HD Audio, Inspired by classic studio microphones like the legendary AKG C414, the Lyra mic offers a sleek design that’s sure to spark your creativity. AKG Lyra is perfect for creating podcasts, YouTube videos, music and more with 4k-compatible, Ultra HD audio quality. Featuring cutting-edge AKG Internal Element Overload Prevention, an internal shockmount and built-in sound diffuser, Lyra automatically reduces noise and improves signal levels for optimal performance. The four-capsule AKG Adaptive Array offers versatile capture modes that eliminate guesswork, so you can quickly get professional sound.)

  • Vochlea Dubler 2 USB Microphone (pairs perfectly with the Volchea Dubler 2 midi plug-in, with plug and play action, and ASIO driver)

  • Blue Snowball USB Microphone (cardioid - Custom Condenser Capsule: Powered By Blue’S Custom Condenser Capsule, Snowball Ice Microphone Delivers Crystal-Clear Audio Quality That’S Light-Years Ahead Of Your Built-In Computer Microphone.)

 

Virtual Mic Emulators:

  • Germann 87 (Neumann U87)

  • Workhorse 57 (Sure 57)

Instruments: 

SIGNATURE GUITARS:

  • ESP KH-2 Kirk Hammett "Ouija" Signature Guitar (in black w/ Floyd Rose original tremolo bridge, gotoh tuners, locking nut, EMG-81 (bridge)/EMG-60 (neck) active pickups, black hardware, and mirror inlays)

  • 2016 Gibson Memphis Alex Lifeson Signature ES-Les Paul (in white, semi-hollow body, w/ a pair of 1950s-inspired Memphis Historic Spec (MHS) alnico humbuckers, Adjustable ABR-style bridge with upgraded titanium string saddles - Alex Lifeson's (of RUSH) most legendary guitar is his Gibson ES-355 in classic white. It's the guitar that is responsible for some of the man's most iconic riffs and solos. So it only makes sense that this Gibson Memphis limited-edition Alex Lifeson Signature ES-Les Paul, crafted to pay tribute to Rush's guitar hero, boasts many of the same touches. Its semi-hollow construction adds more warmth and clarity to your tone, while the MHS humbucking pickups deliver the sound of a great set of vintage PAFs. But this is a truly limited run, so get it while you can.

  • 2021 Recording King RPS-JTE-TS Justin Townes Earle Signature Model (w/ gold hardware and tortoise binding, body shape 0, w/ tailpiece and floating bridge, in Satin Tobacco Sunburst - If you've never had the pleasure of hearing our boy Justin's music, do yourself a favor and check it out HERE.)

ELECTRIC GUITARS:

  • Gibson Custom 1963 Les Paul SG Custom Reissue 3-Pickup w/ Maestro Vibrola Tailpiece (Solidbody Electric Guitar with Mahogany Body and Neck, Ebony Fingerboard, 3 "Alnico III Custombuckers" Humbucking Pickups, and Vibrato Tailpiece, in classic white with gold hardware - For the SG Custom, 1963 was a very special model year. It would be the last time Gibson’s upmarket SG would sport a “Les Paul” engraved truss rod cover; it was also the first year of the Maestro Vibrola tailpiece as standard equipment. The Gibson Custom 1963 Les Paul SG Custom Reissue Maestro Ultra-Light Aged celebrates the coveted ’63 model with a masterful rendition of the classic solidbody electric guitar that rocked the music world in its most influential decade. Featuring a fast SlimTaper neck, a smooth-as-glass ebony fingerboard, a trio of vintage-voiced humbucking pickups, and elegant gold hardware, this gorgeous re-creation is handcrafted by Gibson’s Custom Shop luthiers with fastidious attention to prototypical detail, top-shelf tonewoods, and a scrumptious Murphy Lab-aged finish that gives you the look and feel of a cherished vintage treasure.)

  • ESP KH-2 Kirk Hammett "Ouija" Signature Guitar (in black w/ Floyd Rose original tremolo bridge, gotoh tuners, locking nut, EMG-81 (bridge)/EMG-60 (neck) active pickups, black hardware, and mirror inlays)

  • 2016 Gibson Memphis Alex Lifeson Signature ES-Les Paul (in white, semi-hollow body, w/ a pair of 1950s-inspired Memphis Historic Spec (MHS) alnico humbuckers, Adjustable ABR-style bridge with upgraded titanium string saddles - Alex Lifeson's (of RUSH) most legendary guitar is his Gibson ES-355 in classic white. It's the guitar that is responsible for some of the man's most iconic riffs and solos. So it only makes sense that this Gibson Memphis limited-edition Alex Lifeson Signature ES-Les Paul, crafted to pay tribute to Rush's guitar hero, boasts many of the same touches. Its semi-hollow construction adds more warmth and clarity to your tone, while the MHS humbucking pickups deliver the sound of a great set of vintage PAFs. But this is a truly limited run, so get it while you can.

  • Fender/Roland G-5 VG Fender Stratocaster (modeling guitar, in sunburst - Roland rewrote guitar-tech history with the debut of COSM technology, which first appeared on the pioneering VG-8 guitar-modeling system. Today, the new G-5 infuses a coveted Fender Stratocaster with advanced features realized by Roland’s COSM technology. In addition to offering all classic Stratocaster sounds and functionality, the G-5 provides a new world of electric and acoustic guitar tones recreated by COSM — including instantly accessible alternate tunings and 12-string sounds for all COSM guitar tones! The G-5 also offers a built-in library of coveted modeled pickup tones, and, thanks to COSM technology, also enables unique “ideal-performance” pickups, such as a humbucker with ultra-wide tone and a single coil with full, bold tone.)

  • 1960s Silvertone 1448 (double cutaway, single lipstick pickup, in Black Sparkle w/ White Pickguard – as used and made famous by Jimmy Page of Led Zepplin – on loan from Guy Farmer - VINTAGE)

  • 1960s Kent (Teisco, w/ single-coil pickup, in Tobacco Burst - VINTAGE)

  • 1990s Danelectro "Select-O-Matic" U3 (3x lipstick tube pickups w/ Select-O-Matic switch, “Blow” switch, in Purple Sunburst - VINTAGE)

  • 1996 Epiphone Les Paul Studio LE (2x Alnico Classic Plus Humbucker Pickups, 3-way selector switch, manufactured in Korea at the Unsung Plant, in Silver Sparkle - VINTAGE)

  • 1973 Univox 12-string 335 Hollow Body (2 single coil pickups, in Sunburst - VINTAGE)

  • 2018 Gretsch G2657T Streamliner Center Block Jr. w/ Bigsby B50 Vibrato Tailpiece (double-cut, 2x Broad’Tron humbucking pickups, 3-way pickup selecting, Adjusto-Matic bridge, and spruce center block, in Ocean Turquoise)

  • 2019 Gretsch G5230T Electromatic Jet w/ Bigsby Vibrato (2x Blacktop Filter’Tron humbucking pickups w/ “single-coil-like bite,” 3 position pickup toggle, in Airline Silver)

  • Danelectro "Dead on 67" Hornet (w/ vibrato bridge, 2x Danelectro “lipstick tube” single coil pickups, in Commie Red – reissue of the Silvertone Hornet)

  • 2022 Fender Squier 40th Anniversary Gold Edition Telecaster (Fender designed single coil pickups w/ alnico 5 magnets for that familiar tele tone, in black w/ gold hardware)

  • Fender Squier Bullet HS Telecaster (w/ vintage style single coil tele neck pickup and humbucker bridge pickup, 3-position switch, in Metallic Orange)

  • Fender Squier Bullet HSS Stratocaster Hardtail Limited-Edition (w/ humbucking bridge pickup and 2x single-coil Stratocaster pickups, 5-way switching, in Black Metallic)

 

ACOUSTIC GUITARS:

  • 2022 Gretsch Rancher Falcon Jumbo 12-String Acoustic/Electric G5022CWFE-12, model # 2714025505 (w/ Fishman® Sonicore Pickup with Active Onboard Preamp and Tuner, in white & gold)

  • 2022 Gretsch Rancher Falcon Jumbo 6-String Acoustic/Electric G5022CWFE, model #2714014506 (w/ Fishman® Presys III Pickup System with Active Onboard Preamp and Tuner, in white & gold)

  • 2022 Grestsch Rancher Penguin Parlor 6-String Acoustic/Electric G5021WPE, model #2714014505 (w/ Fishman® Presys III Pickup System with Active Onboard Preamp and Tuner, in white & gold)

  • 2021 Recording King RPS-JTE-TS Justin Townes Earle Signature Model (w/ gold hardware and tortoise binding, body shape 0, w/ tailpiece and floating bridge, in Satin Tobacco Sunburst - If you've never had the pleasure of hearing our boy Justin's music, do yourself a favor and check it out HERE.)

  • 1969 Harmony H1218 Archtop Acoustic w/ electric mod  (w/ vibrato bridge, modified w/ 2x Humbucker Pickups, in Tobacco Burst - VINTAGE)

  • 1990s Alvarez Artist "Thin Line" acoustic (in Natural Maple - VINTAGE)

  • Ovation Applause Acoustic AA21 (in Black)

  • Ovation Acoustic/Electric (single cut-away, in Black)

  • 1950s Old Kraftsmen acoustic parlor guitar (in Tobacco Burst – VINTAGE)

  • Recording King RPH-07 Dirty 30s O Harmonella Single-0 (parlor guitar, w/ floating tailpiece, in Sunburst – the model Justin Townes Earle used)

  • Recording King RPH-05 Dirty 30s Solid Top Single-0 (parlor guitar, in Sunburst)

  • Recording King RPH-R2 Dirty 30s Minnie Bucker Resonator (acoustic/electric, in Brown Sunburst, w/ hand-spun European resonator cone & “biscuit” bridge)

  • Ibanez AEQ-SP1 (Acoustic/Electric Classical, w/ Fishman Pickups)

  • 1980s/1990s Classical Guitar (no name/brand, ROSEMARY’s favorite guitar to write with – VINTAGE)

 

MODERN GUITARS/TRIGGERS:

  • Ion All Star Guitar (houses an iPad and acts as a trigger)

 

BASSES:

  • Hofner HI BB UNJK Ignition Violin Bass w/ Union Jack Flag (semi-hollow body, 2x Ignition Staple humbucker pickups, the Beatle Bass)

  • 1967 Cameo Violin Bass (w/ 2x Humbucker pickups, solid body, in dark burst – VINTAGE)

  • 1960s Cameo Jaguar Bass (w/ humbucker pickup, made in Korea – VINTAGE)

  • 2020 Gretsch G5260T Electromatic Jet Baritone w/ Bigsby Vibrato (6 string, in Airline Silver)

  • Epiphone Thunderbird IV Bass (w/ 2x TB-Plus humbucker pickups, in vintage sunburst)

  • Squier Paranormal Jazz Bass '54 (2x Fender Desginged alnico single-coil pickups, dual concentric volume and tone controls, black w/ metallic gold pick guard)

  • Gibson Customized/Modified 8-string SG Bass (2x humbucker pickups, in black - so you can get those cool octave jingle jangles like on a 12-string guitar... or feel free to tune it to something totally different and see what fun sounds you can come up with.)

  • Washburn Lyon “Series 4” Bass (w/ 2 pickups in z-coil/straight coil configuration)

  • 2021 Mitchell EZB Super Short Scale Acoustic-Electric Bass (w/ on-board preamp and pickup, genuine abalone sound hole rosette, in 3-color sunburst)

OTHER STRINGED INSTRUMENTS

  • Rogue RSL-1 Lap Steel w/ Custom Zombie Pickguard (in Metallic Black)

  • Davison Banjitar (6 string banjo- sounds like a banjo, plays like a guitar)

  • Yamaha GL1 Guitalele (6 string ukele – sounds like a ukulele, plays like a guitar)

  • Rogue Acoustic/Electric Mandolin (A-style)

KEYS:

  • Lowrey Prestige A5000 (2-tier organ w/ bass pedals – this is the Cadillac of organs. The original owner paid over $30,000, so it has ALL of the bells and whistles. - Get more info on the Lowrey Prestige below)

  • Arturia Matrix Brute Analog Synth (w/ MIDI, TRS, USB connections, 49 note keyboard w/ aftertouch, mod, and pitch wheel, operates in monophonic, polyphonic, and duophonic modes, 12-in/12-out CV section, offering 3 Brute oscillators, a 4 mode Steiner-Parker filter and a 3 mode ladder filter, 5 analog effects, 64 step sequencer, ability to recall 256 presets, and the incredible modulation matrix – this thing is a BEAST!!!)

  • Hammond Viscount Solo (The Legend Solo perfectly recreates the sound of the classic tonewheel organ, offering you that “vintage feeling”. This organ stands apart from the rest with its advanced technology, sound, feel and much more affordable pricing than our competition. The Solo is equipped with two full sets of drawbars, a dedicated set of drawbars for the bass pedals and many other legendary features. Weighing only 9.5Kg, the Legend Solo offers a lightweight and portable solution for the working musician. Every aspect of the classic tonewheel organ is so perfectly duplicated that players all over the world are saying “it’s the best ever!)

  • 1958 Maas-Rowe Vibrachime Carillon (It plays chime rods, the sounds of which are then amplified through the cabinet's built-in speaker. The chime rods are tuned with a strong major third partial - VINTAGE)

  • Magnus Chord Organ (toy size and full size- VINTAGE)

  • Korg MS-20 LC Mini Analog Monophonic Synth (w/ line output 3.5 mm mini jack, headphone output 3.5mm mini jack, MIDI in, USB; 37 mini keys, reproduction of the original analogue circuitry; structure: 2VCO/2VCA/VCF 2/2 EC/ 1 LFO; self-oscillating high-pass/low-pass filter w/ distortion; ESP external signal processor; flexible patching system w/ patch cords)

  • Baldwin Electric Piano (groovy 70s electric piano with a nice twangy vibe - VINTAGE)

  • Alesis Micron Analog Synth (w/ MIDI & TRS connections; 8 voices, each w/ 3 oscillators, 2 multimode filters, 3 envelope generators, 2 LFOs, sample and hold, and tracking generator; 4 multitimbral parts; programmable step sequencer and arpeggiator; programmable rhythm sequencer for drum kits; dynamic real-time phrase sequencer; stereo bus effects, including reverb and 40-band VOCODER)

  • Stylophone Limited Edition BOWIE Analog Portable Synth (features built in speaker, vibrato switch, tuning control, & headphone/audio output jack. - In 1969 David Bowie released 'Space Oddity,' using the Stylophone to create its space age, buzzy sound. Created in 1968, the Stylophone Pocket Synthesizer is one of the most popular electonic musical instruments of all time.

  • various vintage Casio and toy keyboards

  • M-Audio Oxygen 8

  • Yamaha PSR-GX76 (The Yamaha GX76 is portable piano, a recording device and a DJ rig all in one! The essential beginner keyboard, it features 256 instruments, 32 note polyphony, pitch wheel, and touch response to feel like it's acoustic counterpart. There is a 6-song recording bank to record your own tracks. The one-touch DJ button gives you access to a complete array of DJ sounds, beats and pre-arranged tracks. This keyboard also features a Education Suite whereby one can learn the basics of playing and arranging music for the keyboard. - VINTAGE)

  • Yamaha PortaSound (VINTAGE)

  • Akai Synthstation 49 MIDI Keyboard Controller (w/ USB connection, 49 keys, & iPad dock – iPad has tons of soft-synths from brands like Moog & Korg)

  • Akai Synthstation 25 (w/ USB connection, 25 keys, & iPhone dock – iPhone has tons of soft-synths from brands like Moog & Korg)

  • RockJam RJMK (25 keys - Bluetooth Midi Keyboard: Giving you the freedom to use any device anywhere, the RockJam midi keyboard has Bluetooth midi that provides next to no latency using the latest chipset meaning you can create using your laptop, phone or tablet. The RJMK can be used as wired midi device also and includes a rechargeable battery. Has eight backlit velocity sensitive touchpads, eight 360 degree knobs, and a 4-way thumb stick).

  • For more keys related stuff, scroll down to the Soft Synths/Guitar Emulators section

 

VARIOUS INSTRUMENTS:

  • Moog Theremini (Analog Synth w/ MIDI, TRS, & USB - The Theremini is a re-imagination of one of the oldest electronic musical instruments in history, and Bob Moog’s first love – the Theremin. Its design fuses the experience of performing with an instrument you don’t actually touch, with a powerful sound engine derived from Moog’s award winning synthesizer, Animoog.)

  • Professor Television's Photo Theremin (w/ volume knob, on/off switch, pitch adjustment knob, internal speaker, 1/4 inch output jack to plug it into an amp, LFO mix knob, LFO triangle/square wave switch, LFO rate knob, rate displaying LED, external power jack. - The photo-theremin uses a light sensitive eye to control the pitch, instead of an antenna. Because it works with light, not antenna capacitance, the photo-theremin is not susceptible to radio interference like some ordinary theremins are. Unlike other light activated theremins, this photo theremin is not just a noisemaking toy. Its clean triangle wave tone ranges from a low rumble to a very high frequency. Modulating light sources like video monitors, florescent lighting, and strobe lights produce funky pitch modulations. You can even play it with a flashlight, laser pointer, or TV remote control. The Photo- theremin also has a low frequency oscillator (LFO). The LFO can modulate the frequency of the theremin using either a square wave (makes it sound like a spaceship landing) or triangle wave (gives it a creepy vibrato). You can also control the rate and amount of the LFO.)

  • Korg Kaossilator 2 (limited edition pink - Boasting a supercharged sound generator, Kaossilator 2 delivers excellent synth and drum sounds spanning a wide range of genres, plus dramatically expanded loop recording. Use the internal mic to record guitar, vocal, or other audio sources--and layer them infinitely. The Organic Electroluminescent (OEL) display provides superb visibility. Add to that a touch slider for ease of use, microSD card data saving, plus a built-in speaker and battery power.)

  • Korg Kaossilator Pro+ (A synthesizer that lets you perform and create multi-layered music in any style --- with just the touch of a finger. The Kaossilator series was the forerunner of unique instruments that made it easy for anyone to play musical melodies and phrases. The KAOSSILATOR PRO, which appeared in 2010, was an updated model featuring a rich variety of sounds and loop recording functionality that made it not merely a live performance instrument, but also a track-making tool. 2013 brings us to the upgraded KAOSSILATOR PRO+. With additional new sound programs and drum sounds KAOSSILATOR PRO+ has been supercharged to offer even more variety and exploration.)

  • Korg nano-Kontrollers (USB Control, USB Pad Control, USB Key Control)

  • Presonus Atom SQ (The PreSonus ATOM SQ is a versatile hybrid MIDI keyboard/pad performance and production controller that’s ideal for creating hip-hop, EDM, or any other style of music. Quickly and easily craft beats and melodies with the remarkable staggered pad layout that’s familiar and intuitive to both keyboard players and step sequencer fans.)

  • Presonus Atom (Capture the beat whenever and wherever creativity strikes with PreSonus ’ ATOM. An intuitive, musical, MIDI pad controller, ATOM’s dynamic, ultra-sensitive pads will give you all the expression you need, whether you’re making a beat, creating a driving synth line, or triggering sound effects and loops on the fly. Tight integration with both Studio One and Ableton Live mean that you stay inspired without missing a beat.)

  • Moog Filtatron (Filtatron is a realtime audio filter and effects engine. It can act as a source, destination, or a filter for audio from other compatible apps. The heart of the Filtatron is a four-pole resonant Moog Ladder Filter - modeled after the same filter that gives Moog instruments their classic warm, thick character.  Use it to shape the sounds supplied by the on-board oscillator, sampler and line input.)

  • Buddha Machine 4 (and Buddha Machine iPad App w/ ALL Buddha Machines - The Buddha Machine is a small plastic box that plays meditative music. It was designed and created by the Beijing-based duo of Christiaan Virant and Zhang Jian, who perform under the band name FM3. The five sounds here are a selection of relaxing, ambient loops from Buddha Machine 4, released in 2012.)

  • Kazooka Electric Kazoo (awesome electric kazoo that can be plugged in to any 1/4" device such as a guitar pedal)

  • Full Set of Harmonicas

  • Hohner Toy Accordion

  • Various Toy Instruments (percussion, keys, trumpets, etc.)

  • Numark iDJ3 (w/ scratch feature - iDJ3 is a complete DJ system that works with the music on your Mac or PC – and your iPod. It’s designed to directly connect to your computer so you can mix your favorite tracks with performance DJ controls. Plus, you can dock your iPod or iPhone to play tracks or record your mix. iDJ3 gives you the classic two-turntables-and-a-mixer setup used by DJs everywhere. You can scratch, mix, loop, and much, much more. iDJ3 also has all the inputs and outputs you’ll need for your headphones, speakers, and a mic. Plus, iDJ3 is portable, so you can grab it and go, ready to DJ anywhere.)

  • Technics Sl-1950 Turntable (w/ single spindle and stacking spindle, newly refurbished, in pristine condition - The Technics SL-1950 features a one-chip IC of 321 element density to control motor speed for accuracy and reliability, with B-FG servo control. The automatic changer functions include start, tonearm set-down, lift-off and return, and record change. The changer mechanism can accommodate 6 records at any one time.)

  • Pro-Ject Essential III Turntable George Harrison Limited-Edition (Special edition of Essential III. Acrylic platter. Artwork by streetartist Shepard Fairey. Pre-adjusted Ortofon OM10 w/ dust cover. Designed in Europe)

DRUMS AND PERCUSSION:

  • Alesis DM-6 Electronic Drums (w/ midi out)

  • Congas, Bongos, Timbales and Rototoms